Suno announced the launch of a new artist incubator program, Spark, on Thursday (June 25), offering selected independent artists monetary grants, marketing and access to Suno songwriting camps.

Participating artists will retain creative control and commercial rights of their works, and a Suno spokesperson notes that the size of these grants range depending on where an artist is in their career and could count in the thousands to tens of thousands of dollars. Marketing support will be also tailored to each artists’ needs but could include influencer marketing, advertising and digital exposure, support in creating visuals and art, events, activations, press opportunities and more.

The Suno spokesperson also clarifies that Suno will not play a role in the process of selecting or using a distributor — that part is left up to the artists’ discretion.

“Again and again, emerging artists tell us the same thing: they need more than tools. They need support, exposure, and new ways to turn their creativity into opportunity,” reads a blog post from Suno’s chief music officer Paul Sinclair and head of creative economy and monetization Rosie Nguyen. “Spark’s goal is to help more artists turn ideas into finished projects, connect those projects with fans, and build new opportunities to grow their careers both on and beyond Suno.”

Artists must be at least 18 years old, must be a singer, songwriter or producer releasing music under their own name and must be an independent artist to participate.

In the past year, Suno’s songwriting camps have become a key piece in Suno’s strategy to reach out to musical talent and introduce them to their generative AI products, which can create songs from scratch based on simple text prompts. In January, Suno invited Billboard to witness one of their camps in action at an undisclosed studio in Los Angeles, which featured talents like Timbaland, Om’Mas Keith (Frank Ocean, Eryka Badu, Jay-Z), and Gino the Ghost (Sabrina Carpenter, The Chainsmokers, Saweetie) among others. At the camp, professionals used Suno for song ideation and then recreated the Suno work piece by piece with human musicians who added in their own improvisations and flair.

In an episode of Billboard On the Record, Suno CEO Mikey Shulman was asked about whether or not Suno had interest in becoming a record label in the future. He replied: “No. I think about us as trying to build the music superapp. We want the best version of every part of music that could possibly exist, so the creation thing was a big goal…[and] the best consumption experience is not something that I think exists today. I don’t know exactly what it is but it is something that is more engaging than things that exist today, and so we want to go make that. I think the record label is just separate from that. [Labels are] important, like I said before, people think we think the record label is going to go away. That’s obviously not true. I think they are way too culturally important. It’s just not the thing that is ultimately end user facing that we have opinions on how to make way better.”

The new program arrives just weeks after Suno announced a new $400 million Series D funding round, led by Bond Capital, leading to a post-money valuation of $5.4 billion. Despite investors’ confidence in the AI music company, Suno continues to fight copyright infringement claims from much of the music industry establishment.

It is currently being sued by Universal Music Group and Sony Music in a $500 million copyright infringement lawsuit in which the major labels allege Suno has trained on their copyrighted sound recordings without proper consent and authorization. (Warner Music Group was previously part of that lawsuit, but it settled its side of the lawsuit and made a licensing deal with Suno in late 2025). GEMA, the German collection society, and Koda, the Danish collection society, are each also in active litigation against Suno for copyright infringement.

Earlier this week, Hagen Berman, a national plaintiffs’ class-action law firm, joined a lawsuit driven by independent artists who claim their copyrighted music was used to train Suno’s models, constituting copyright infringement.

Read Sinclair and Nguyen’s full blog post about Spark below:

Introducing Spark: Supporting the Next Generation of Independent Artists

Making it as an independent artist isn’t easy. Every day, we meet talented artists with great ideas, unique perspectives, and a clear vision for their music, but who may not have the resources or connections to take the next step.

At Suno, we want to help create a future where more artists have the opportunity to develop their craft, find their audience, and build sustainable creative careers. That’s why we’re launching Spark, a new incubator program designed to help independent artists bring their music projects to life through grants, mentorship, and dedicated marketing support.

Independent artists have always played an outsized role in shaping music and culture.

Spark is shaped by what we hear from artists. Through artist partnerships, product feedback sessions, community programs, and writing camps, we’ve worked closely with musicians, songwriters, producers, and creators at every stage of their careers.

Again and again, emerging artists tell us the same thing: they need more than tools. They need support, exposure, and new ways to turn their creativity into opportunity.

Spark’s goal is to help more artists turn ideas into finished projects, connect those projects with fans, and build new opportunities to grow their careers both on and beyond Suno.

How Spark Works

Beginning today, interested artists can apply to participate in Spark [link to landing page/application]. In order to be eligible, applicants must:

Each artist selected for Spark will receive a grant to support their creative process, additional funding for marketing, be invited to collaborate with established artists at our writing camps and have the opportunity to give feedback on new features Suno is building. Artists will retain creative control and commercial rights of their works.

Looking Ahead

One of the best parts of working in music is discovering artists at the beginning of their journey. We can’t wait to meet the talented creatives who join Spark, hear what they’re working on, share their stories, and learn from them along the way.