Taylor Swift’s wedding look included a few major designer names — and one familiar link to her record-breaking TheEras Tour wardrobe.
The pop superstar wore Christian Dior Haute Couture to marry Travis Kelce at Madison Square Garden in New York City on Friday (July 3), according to a statement Swift’s rep shared with Billboard. The ceremony looks for both Swift and Kelce were designed by Jonathan Anderson, creative director of Dior Women’s, Men’s and Haute Couture Collections, in close collaboration with the bride and groom.
The dress marks Anderson’s first couture wedding dress for a world-renowned celebrity, according to the statement. Swift completed her bridal look with Cartier jewelry, while both she and Kelce wore custom Christian Louboutin shoes.
The Louboutin detail is a notable one for Swift fans. On its official website, Christian Louboutin notes that Swift wore custom bejeweled styles from the designer throughout the European leg of The Eras Tour, with the Maison creating custom and existing silhouettes in different shapes, heel heights and colorways.
Those designs included crystal-covered Eleonora Botta boots for the “Lover” portion of the show, Cate boots for “Fearless,” a custom lace-up ankle boot for Folklore and Evermore, and the CL Moc Lug loafer for “Red,” according to the designer.
The official wedding-style details follow Swift and Kelce’s Friday night ceremony at Madison Square Garden, where they married in front of family and friends. The couple did not have traditional bridesmaids or groomsmen; instead, Swift’s brother Austin served as her man of honor, while Jason Kelce was Travis’ best man. Actor-comedian Adam Sandler, whose movie Happy Gilmore 2 featured a cameo from Kelce, officiated the ceremony.
Swift and Kelce’s relationship began in 2023 after the Kansas City Chiefs tight end attended one of her shows in Kansas City and later revealed on New Heights that he had hoped to give her a friendship bracelet with his phone number on it. The couple announced their engagement in August 2025 with Instagram photos from Kelce’s flower-garden proposal, captioning the post, “Your English teacher and your gym teacher are getting married.”
Over the course of their romance, Swift penned several songs that are almost definitely about Kelce, including “So High School” and “The Alchemy” from 17-week Billboard 200-topping album The Tortured Poets Department, as well as Billboard Hot 100 No. 1 hits “The Fate of Ophelia” and “Opalite” from The Life of a Showgirl.
Official photos of Swift’s bridal look had not yet been released as of Friday evening.
And in the time since, the superstar couple continued to turn heads. Swift released her 15th Billboard 200 No. 1 album, The Life of a Showgirl, that October — moving a record-breaking 4 million equivalent album units in its first week — while Kelce signed on for his 14th season with the Kansas City Chiefs the following April.
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A Timeline of Taylor Swift & Travis Kelce’s Relationship
Members of the Tayvis camp also kept what they may or may not have known about the couple’s plans mostly quiet. Kelce’s mother, Donna Kelce, straight up refused to speak about her potential involvement with the wedding planning when approached by a photographer at LAX. “I’m just happy. I’m so happy for them,” Donna said at the time.
Swift’s sister-in-law, Kylie Kelce (who’s married to Trav’s big brother, Jason) even made a plea on her Not Gonna Lie podcast in April for people to stop asking her for wedding dirt. “Quit asking me and my mother-in-law about upcoming nuptials,” she said point-blank to the camera. “Nobody’s f–king telling you anything.” She added: “I don’t have any details. I have no details. I have none. Look at that. That’s how many details I have. None. None.”
But while Donna and Kylie stayed hush-hush before the big day, a few people close to the duo — as well as Swift and Kelce themselves — shared bits and pieces here and there about the nuptials that took place July 3 at Madison Square Garden.
Here is everything we know (so far) about the Taylor Swift and Travis Kelce wedding.
Olivia Rodrigo is still the queen of Australia’s albums chart as You Seem Pretty Sad For A Girl So In Love enters a third week at No. 1, while Ella Langley’s “Choosin’ Texas” nabs a fourth non-consecutive week atop the national singles tally.
With her latest title, Langley continues the dominant run by female artists on the ARIA Singles Chart, a takeover that is coming up to a full year.
According to ARIA, female artists have held the No. 1 spot every week this year, including Olivia Dean’s collaboration with Sam Fender, “Rein Me In.” The last time a solo male artist climbed the singles chart summit was in late July last year, when Justin Bieber’s “Daisies” collected one week at No. 1.
With Rodrigo maintaining her fast pace on the ARIA Albums Chart this week, published Friday, July 3, the top debut belongs to Muse with The Wow! Signal, the British alternative rock trio’s 10th studio album. It’s new at No. 2. Matt Bellamy and Co. have reached the top 10 with seven albums, including four No. 1s: Black Holes and Revelations (2006), The Resistance (2009), Drones (2015), and Will Of The People (2022).
Also new to the albums tally is The Pretty Reckless with Dear God. It’s new at No. 7, for the U.S. rock act’s fourth top 40 appearance following Going To Hell (No. 20 in 2014), Who You Selling For (No. 33 in 2016) and Death By Rock And Roll (No. 15 in 2021).
Homegrown singer and songwriter Kita Alexander bags a career high with her sophomore album Rage, debuting at No. 11. That easily beats the No. 61 peak of her debut Young In Love, from 2024.
Another Brisbane artist, powerhouse vocalist Katie Noonan, the four-time ARIA Award winner, starts at No. 20 on the ARIA Albums Chart with Alone But All One, her 30th studio album. As member of George, Noonan bagged a No. 1 in 2002 with Polyserena.
Further down the frame, a slew of new arrivals from Toby Fox (Deltarune Chapter 5 — Original Game Soundtrack at No. 41), Justin Bieber (SWAG Live From Coachella — Weekend I at No. 46) and Australia’s 2025 Eurovision Song Contest rep Go-Jo (The Go-Jo Variety Show at No. 48).
Billboard’sFriday Music Guide serves as a handy guide to New Music Friday’s most essential releases each week — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
Last week, we featured sombr, Phoebe Bridgers, Steve Lacy with SZA and more.
This week: Madonna drops her anticipated Confessions II; rising star Sienna Spiro releases her anticipated debut album, Visitor; and Riley Green shares his latest collaboration… plus much more. Check out all of this week’s picks below:
Madonna, Confessions II
After months of hype and world building, Madonna’s Confessions II finally pulls up to the club this Friday. The icon’s 15th studio album since 1983 and her first since 2019’s Madame X, Confessions II returns her to the throbbing beats and writhing rooms of 2005’s Confessions on a Dancefloor. While that album leaned hard into disco via classics like “Hung Up” and “Sorry,” Confessions II is more upscale dance-pop and lush electronica, with songs like “Good for the Soul” and “One Step Away” pairing layered, cerebral productions by Stuart Price (who also produced the original album) with Madonna’s philosophical musings about how “the dancefloor is not just a place, it’s a threshold, a ritualistic space where movement replaces language.”
But despite its heady tendencies, the album certainly possesses the dance world’s spirit of playfulness and fun, with “School” functioning as a slinky little ass-shaker and “Danceteria” running down a typical night at the song’s namesake club in New York City, where Madonna did her first performance in 1982. And as the original Confessions contained as much emotional nuance as it did kickdrum, so too does this new one live up to its title, via deeply personal songs about motherhood (via a collaboration with Lola Leon, Madonna’s daughter), the sting of betrayal and all flavors of romance. We’ll confess, we love it. — KATIE BAIN
Sienna Spiro, Visitor
After breaking big on and off the charts with the emotive “Die on This Hill,” fast-rising soulful pop artist Sienna Spiro releases her debut album this Friday (July 3). Titled Visitor, the project includes that smash hit as well as previously-released singles “You Stole the Show” and the quasi-title track “The Visitor.” Spiro co-wrote the album alongside collaborators including Omer Fedi and Michael Pollack (both of whom also co-produced several tracks) among others. — LYNDSEY HAVENS
GAYLE, “junebug!”
Three years ago now, in 2023, pop singer GAYLE scored a Grammy nomination for song of the year with breakout single “abcdefu.” She went on to release two EPs and contribute a track to the Barbie soundtrack, in addition to opening on tours for Taylor Swift and Tate McRae. Now, after some time away, the rising artist is back with new music — and a big announcement. Her debut album Observing Choas, will arrive later this year; until then, lead single “junebug!” hints at the direction she’s heading in, complete with an uptempo rock-pop riff that perfectly captures the carefree chaos that kicks off summer. — L.H.
Billy Strings, “Burn the Other End”
While he’s earned a reputation for his lengthy, improv-heavy concerts, the Michigan bluegrass artist has also quietly become one of today’s sharpest recording artists, racking up three Grammy wins for best bluegrass album since 2021. Like Strings’ best studio work, “Burn the Other End” manages to condense the spooky, psychedelic bluegrass of his sprawling live sets into a more traditional song structure. But the single is also darker in spirit and style than much of Strings’ work; in announcing the forthcoming T-Bone Burnett-album it appears on, So Much For Goodbyes, Strings said he made the record to honor his mother, who died of a drug overdose last year. (Eagle-eyed observers will see another legendary Wolverine State guitar virtuoso in the credits: Jack White, who along with Burnett provides “gang vocals.”) — ERIC RENNER-BROWN
Riley Green feat. Hannah McFarland, “Go Again”
Is there any male country artist who has cornered the co-ed duet market in recent years like Green between the two collabs with Ella Langley and his current tune with Carly Pearce? Here, he and tourmate/fellow Alabama native McFarland attempt to keep the streak going with “Go Again” from his forthcoming album That’s Just Me. (They also duetted on the deluxe version of “Don’t Mind If I Do”). In the low-key, genial acoustic track solely written by Green, after a one-night stand the two lovers contemplate parting ways as planned or wonder if they should “go again,” both in and out of bed. More sweetly sexy than the full-on blow torch of Green’s “Worst Way,” but still steamy. — MELINDA NEWMAN
Stella Lefty, “Good at Leaving”
Lefty continues leaning into country music with this chugging track about her ability to “get gone without a warning,” because she’s far better at goodbyes than hellos. The “Boston” singer surrounds her lilting vocals with subtle pedal steel, mandolin and mainly acoustic guitar in the infectious tune that is going to stay in your brain much longer than she’s going to stick around. The official release comes after Lefty has been performing the song in concert and it has become a fan favorite. — M.N.
Rubén Blades, SUPERMAMBO
For his new album, Rubén Blades — Billboard’s 2026 Indie Icon — blends the magical worlds of music and comics. Across a mix of 17 tracks and interludes, SUPERMAMBO narrates the story of an afrolatino superhero from The Bronx, who’s elegant and knowledgeable, and whose superpower is to make people dance. Narrated by the Panamanian star, the set perfectly weaves storytelling and tropical rhythms with the intention of demonstrating the super powers of Latin culture. SUPERMAMBO — produced by Felipe Fournier and Jeremy Bosch — includes collabs with Oscar Hernández, Shae Fiol and Mariachi Flor de Toloache. — JESSICA ROIZ
Judeline, “Besito”
Judeline’s “Besito” — produced by Lil Chick, Sacha Rudy, Phil, Tuiste, and Gede da O — starts off with crashing ocean waves before transitioning into a futuristic pop song powered by experimental synths and ethereal vocal harmonies. Dubbing it as her official summer tune, the Spanish artist seductively sings about lust and desire: “I’m still thinking about yesterday’s kiss […] I want to kiss you again,” she chants. In the lyrics, she also encourages her crush to enjoy her while she’s in her 20s and living life intensely. A conceptual music video filmed by Lilian Hardouineau in France, demonstrates Judeline doing a dreamy-yet-sultry performance on the beach at night. — J.R.
Zeds Dead, “Return to the Return (of the Spectrum of Intergalactic Happiness)”
Zeds Dead’s Return to the Spectrum of Intergalactic Happiness was one of our favorite albums of 2025, and now the pair go back indeed via their new Return to the Return (of the Spectrum of Intergalactic Happiness). Chopping up the original into bits and pieces and transforming it into a journey of ambient, breakbeats, UKG, drum & bass, turntablism, and more, the new version is both a sequel and full reimagination of the original that captures the heady, experimental tendencies that have long been the duo’s signature. Zeds Dead headlined Red Rocks last night, and will do so again this evening. — K.B.
Ken Carson, xperience
Just over a year after earning his first Billboard 200 No. 1 album with 2025’s More Chaos, Ken Carson has returned with xperience. The Atlanta rap star teased the album’s dizzying, and at times slightly industrial, rage-rap and trap soundscape at his 2026 Rolling Loud headlining set (May 10) — and later on his @xperimenting0_0 Instagram page — and the 22-track set delivers. Featuring appearances by Playboi Carti, Destroy Lonely, Lil Uzi Vert, Young Thug and 2hollis, xperiment solidifies the 26-year-old as a true niche superstar, particularly one who can converse with his fanbase in the creation of the music while still packing surprises at nearly every turn. — KYLE DENIS
Destin Conrad, “Nervous“
Last year, Destin Conrad followed up his Love on Digital debut album, which Billboard named the No. 1 R&B Album of 2025, with an impressive alternative jazz EP called Whimsy. Ever the shapeshifter, the Grammy-nominated singer-songwriter has delved into dancehall for “Nervous,” the first taste of his upcoming reggae album. His catalog has always had a subtle thread of Caribbean music, thanks to his Jamaican-born mother, and “Nervous” turns up the heat with a sizzling, Louie Lastic-produced riddim. The syncopated dancehall production pairs nicely with Destin’s seductive, layered background vocals, making for one heater of a summer anthem. — K.D.
From murmurs to reality, Confessions II is upon us. Years of online whispers – which typically mean nothing – have somehow inadvertently culminated in the creation of the sequel to Madonna’s 2005 classic Confessions on a Dance Floor. It’s the first sequel album she’s ever made – though in truth, Confessions II has, at points, nearly as much in common with albums like Ray of Light and Bedtime Stories as it does that 21-year-old disco classic.
What it does have in common, however, is Stuart Price. The man behind the boards of Confessions on a Dance Floor – which topped the Billboard 200 and produced the Billboard Hot 100 top 10 hit “Hung Up,” among other enduring dance classics – is back with Madonna after serving as the musical director on her career-retrospective Celebration Tour. (As he cagily explained to Billboard in 2023 of the renewed connection, “You measure a working relationship not by the gaps between but by how easily you pick up again from when you left off. As soon as we started to work together on this tour, the shorthand was there. We were able to create productively.”)
With a trusted collaborator at her side (among other producers), Madonna comfortably veers between insecurity and omnipotence, candor and camp, spiritual fortification and libidinous release on her most compelling release since, well, Confessions on a Dance Floor. (Madame X was fantastic, but c’mon, there’s no beating Madonna when she’s in the club.)
From two lifelong Queen of Pop acolytes, here’s our ranking of every song on Madonna’s Confessions II, from least to best.
Madonna has always been a master of reinvention, but this time around, she’s working in extension via the release of her new album Confessions II. Out Friday (July 3), the project is a follow-up to her 2005 masterpiece Confessions on a Dance Floor, which found the Queen of Pop — in partnership with the album’s producer Stuart Price — focused on disco, electronica, synth and dance pop.
Also produced by Price, the 16 tracks on Confessions II focus on much of the same, presenting lush, cerebral productions focused on the club as church and dancing as spiritual work. The project, Madonna’s 15th studio album since 1983, features the previously released singles “I Feel So Free,” “Love Sensation” and “Bring Your Love,” with the latter track being a collaboration with Sabrina Carpenter, who Madonna appeared with on stage during Carpenter’s headlining set at Coachella in April.
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Madonna’s ‘Confessions On a Dance Floor’ Era: Revisit the Best Photos
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Beyond Carpenter, Confessions II includes collabs with Belgian star Stromae (“My Sins Are My Savior”), Dutch dance titan Martin Garrix (“Bizarre”), Colombian reggaeton star Feid (who sings on “Read My Lips” and who, with other collaborations on 2026 albums by Skrillex and John Summit, is having a big year in the dance world) and Madonna’s own daughter Lola Leon. The song featuring Madonna and Leon, “The Test,” explores their mother-daughter relationship via lyrics such as “Sometimes I think you’d wish I’d go away/but my shadow stays/and it’s OK to be yourself,” with the vulnerability of the subject matter matching the confessional nature of the 2005 original, which was released when Leon was nine years old.
Altogether, Confessions II is a stunner, playing as a modern take on club music that simultaneously evokes the genre’s previous eras without ever falling into pastiche. Stream it below.
