Category: Music

There is a longstanding question in K-pop about what actually holds a girl group together: a single breakout star, a concept strong enough to carry eight people, or something harder to manufacture. Hearts2Hearts, the SM Entertainment octet now 16 months into its career, is proof of the third option.

The group’s structure is built around what it refuses to do. Instead of one designated center, Hearts2Hearts spreads the weight, arranging vocal lines, choreography and camera time so that individual moments serve the whole. It’s a familiar pitch in K-pop marketing and a rare thing to actually pull off. What sets this group apart is that the balance holds up under scrutiny, onstage, in live vocal takes, in the self-produced content where group dynamics usually crack first.

Even the group’s most viral moment worked this way. Stella’s spoken English narration in “RUDE!” became the song’s signature and fueled a fan challenge, yet it never read as one member breaking away from the pack. It read as Hearts2Hearts. That house-leaning single, released this past February, climbed to a No. 57 peak on the Billboard Global 200, while rising to No. 5 on the Billboard Korea Hot 100. The demand followed offstage: in March, the group sold out showcases in both New York and Los Angeles. For an act barely a year past its debut, which reached No. 102 on the Billboard Global Excl. U.S. chart with “The Chase,” that is a group finding its ceiling and pushing past it.

“Lemon Tang,” the title track of the second mini album released June 22, carries that momentum into a bright, summer-coded dance-pop turn. Where “RUDE!” came from a team of Western topliners, the follow-up is a KENZIE record, penned by the SM in-house veteran whose credits run from Girls’ Generation’s “Into the New World” through two decades of the label’s girl-group canon. The chorus leans into a breezy, bossa-inflected sway, and the vocal arrangement follows the group’s usual logic: lines sung in pairs that build into all eight voices in unison. The lyric’s central image, a lemon that is sour alone and turns sweet in combination, is also a fair summary of how this group operates, name included.

That’s the thing about Hearts2Hearts. The appeal is cumulative rather than explosive: friendly without being lightweight, bright without being simple, and consistent in a genre that usually chases spectacle. In this interview with Billboard Korea, the eight members talk through the moment they first saw their name on the Billboard charts, the energy of their first sold-out U.S. stages, the roots each member brings to the team, and what they hope people understand about Hearts2Hearts by the end of this summer, in their own words.

From “The Chase” to “RUDE!,” sixteen months have already passed. How do you feel about where Hearts2Hearts stands now?

JIWOO: I think we’re still in the middle of growing and learning, but when I look at where we are now, I’m most proud that Hearts2Hearts is starting to have a distinctive color of its own. We’ve gained a lot of experience since debut, and I think we’re becoming more confident both as individuals and as a team. It makes me excited for how much more we can grow from here.

YE-ON: Like JIWOO unni said, I think we’re still growing as artists. But if I had to pick the biggest change, it would be how much more comfortable I’ve become on stage. At debut, I was focused on finding the cameras, but now I feel more confident connecting with our fans and enjoying the moment!

Hearts2Hearts arrived as SM’s first new girl group since aespa. Did that description ever feel heavy to you, or did it become a quiet source of strength?

YE-ON: Rather than feeling pressured, I think it motivated us to work even harder together so we could live up to people’s expectations. It felt more like positive encouragement that pushed us to keep practicing and improving!

When you first heard “Lemon Tang,” what made it feel like the right next chapter after “RUDE!”?

YUHA: The track carries the same confident energy as “RUDE!” while bringing a brighter and more refreshing feeling that fits the summer season. While “RUDE!” was about breaking away from expectations and doing things our own way, “Lemon Tang” shows a brighter side of us and celebrates how beautiful it feels when we’re together. That’s why it felt like the perfect next chapter.

“Baby Steps” carries the excitement of a new beginning, while “Secret Recipe” tells a story of building something together. Which track feels closest to the team’s heart right now?

JUUN: I think “Baby Steps” feels closest to where we are right now. As we begin this new chapter with “Lemon Tang,” I think the excitement and nervousness of trying something new really reflect how we feel as a team. That’s why I find myself relating to “Baby Steps” the most.

“RUDE!” reached No. 10 on Billboard’s World Digital Song Sales chart and entered the Billboard Global 200 as well. When you first saw Hearts2Hearts on an overseas chart, what went through your mind?

CARMEN: I’m so, so thankful to S2U and to everyone who has been listening to “RUDE!” I’m incredibly happy, and honestly, it still feels a little like a dream. Seeing our song on the Billboard chart was… just wow. It was such a huge moment for us! I’m truly grateful for all the love and support. Thank you so much!

STELLA: When I first saw “RUDE!” on the Billboard charts, I was really shocked and so grateful for all the fans who supported us. It really made me realize that there are so many global fans who love our music, and it inspired me to work harder for our next comeback.

Stella, your English narration became one of the signatures of “RUDE!” and even carried into the challenge. Did you expect that part to resonate with listeners in that way?

STELLA: When I first recorded the narration part in our song, I had hoped that our listeners would resonate with it. However, I didn’t expect the amount of love and attention that it would get at all. Watching our fans and listeners do the narration challenge was so much fun, and I feel incredibly grateful for all the support.

In March, you sold out showcases in both New York and Los Angeles. What felt different about the energy of the U.S. fans compared to the audiences you had met in Korea?

A-NA: All of our fans are incredibly passionate, but what stood out to me in the U.S. was how loudly everyone sang along and even danced with us. Seeing the crowd enjoy the music so freely and express themselves in that way was really new and memorable for me.

IAN: The showcase was a moment where I really got to feel the incredible energy of our fans in the U.S. Even the smallest things we did got such a big reaction. Hearing everyone sing along and seeing them jump and have fun with us really made me feel their passion.

Jiwoo, as the leader, what did the “RUDE!” season teach you about the members that you may not have fully realized before?

JIWOO: During our “RUDE!” promotions, I realized once again how strong and dependable our members are. I was really impressed by how everyone took responsibility for their own role and always gave their best. Even during difficult moments, the members were always looking out for each other first, and I was so grateful for that. It made me trust the team even more, and I felt just how reliable everyone is.

Carmen, as SM’s first Indonesian member, what kind of color do you feel your roots bring to Hearts2Hearts when the group connects with fans around the world?

CARMEN: As SM’s first Indonesian member, I’m really grateful to be able to share a part of my culture and experiences with Hearts2Hearts. Growing up with a different background has given me a broader perspective, and I think that helps our group connect naturally with fans from all around the world. I also feel happy that I can introduce Indonesia and represent many fans who dream of standing on a global stage. More than anything, I hope the warmth, sincerity, and positive energy I’ve grown up with can become one of the unique colors that make Hearts2Hearts even more special.

The name Hearts2Hearts carries the idea of connecting one heart to another. Since your debut, what has been the clearest moment when you truly felt that connection with your fans?

A-NA: One of the moments when I feel most connected to our fans is when I see them smiling and enjoying themselves while watching us perform on stage. Seeing that happiness on their faces makes me feel like our hearts are really connected.

The rookie season often passes faster than people expect. Is there something you feel Hearts2Hearts can only do now, precisely because you are still at the beginning?

IAN: I think it’s continuing to show how we’re growing. All of the members constantly give each other feedback and always want to improve, so I think people can really see that growth through our performances and activities.

By the end of the “Lemon Tang” promotions, what do you hope people will understand a little more clearly about Hearts2Hearts?

YUHA: Just like the feeling you get when you think of “Lemon Tang,” I hope thinking about Hearts2Hearts can make people smile and feel a little happier.

JUUN: Just like the lyrics of “Lemon Tang,” I hope people can feel that fresh, uplifting energy with us. I also hope our song becomes the soundtrack to everyone’s summer and helps make this season feel a little brighter and more fun.

The latest trial in a long-running legal battle pitting T.I. and Tameka “Tiny” Harris against toy company MGA ended in a loss for the power couple — but they’re still walking away with millions of dollars.  

Lawyers for T.I. and Tiny confirmed on Wednesday (July 1) that a federal jury rejected their request to tack additional damages onto the $18 million they previously won from MGA — the toy behemoth behind successful brands like Bratz and Little Tikes — for copying their teen pop group OMG Girlz with a line of “O.M.G.” dolls. At this trial, T.I. and Tiny argued that MGA should pay extra because the infringement was intentional and malicious. But the jury was unconvinced, rejecting the couple’s request to add so-called punitive damages.

In a statement to Billboard, the Harrises’ attorneys said they “appreciate the jury’s time and consideration but are disappointed in the verdict.”

“It’s clear from the evidence that MGA’s policies are inadequate to prevent this type of IP infringement and their document retention and collection procedures are equally as suspect,” said the musicians’ lawyers. “We will continue to fight for our clients’ rights and the rights of all creatives.”

Reps for MGA did not immediately return requests for comment on the verdict.

This was the fourth trial in six years of litigation over the O.M.G. dolls. T.I and Tiny began alleging in 2020 that MGA’s dolls ripped off the name, outfits and neon-colored hair of the OMG Girlz, a trio founded by the Harrises in 2009 and featuring their daughter Zonnique Pullins alongside Bahja Rodriguez and Breaunna Womack. MGA has consistently denied any infringement.

An initial trial in the case ended in a mistrial in 2023 due to improper testimony about racism, and a jury cleared MGA of all wrongdoing at a second trial the same year. But that verdict was wiped on appeal amid evolving Supreme Court precedent, teeing up a third trial in 2024. That time, a jury found that MGA intentionally copied the OMG Girlz and awarded $18 million in profits, plus $53 million in punitive damages for a total of $71 million.

Last summer, however, a judge wiped out the punitive damages after determining that the Harrises had not put forth “clear and convincing evidence of willful infringement or conscious disregard for the rights of others.” This led to a fourth mini-trial this month solely on the question of punitive damages, in which jurors sided with MGA on Wednesday and capped the verdict at $18 million.

New evidence has emerged in Pooh Shiesty’s robbery case alleging that the Memphis rapper forced Gucci Mane to sign his release from 1017 Records at gunpoint while on federal home confinement.

After Shiesty’s (born Lontrell Williams Jr.) bail was denied in Texas federal court in May, the “Back in Blood” rapper’s attorneys filed a motion to review his detention orders. On June 24, prosecutors responded with a filing, viewed by Billboard, that alleges they have strong proof of Shiesty’s guilt — including video footage of the alleged armed robbery and kidnapping, along with a copy of the “release of contract” Mane was allegedly forced to sign to free Shiesty from his label deal.

The prosecution claims that the footage shows Mane in the studio being forced to declare that Shiesty was “dropped” from 1017 and out of his contract. Prosecutors also allege that the video matches the victims’ accounts of the robbery, which took place in January at a Dallas recording studio. An 8GB USB drive was also put forth as evidence by the prosecution, with a photo of the device included in the court documents.

Prosecutors allege that the “release of contract” agreement constitutes a “full termination and release” of Shiesty from his deal with 1017 Records, which signed him in 2020.

“Reference is hereby made to the agreement between 1017 Global Music LLC (‘Company’) and Lontrell Williams p/k/a Pooh Shiesty (‘Artist’) dated as of April 1, 2020 (the ‘Agreement’),” the paperwork allegedly reads. “The following, when signed by Artist and by Company (collectively the ‘Parties’), will constitute a full Termination and Release of the Agreement by the Parties.”

Shiesty, along with his father, Lontrell Williams Sr., and rapper Big30 (Rodney Lamont Wright Jr.), were among eight individuals arrested on April 1 over the alleged dispute, which is said to have taken place on Jan. 10 in Dallas.

Prosecutors previously alleged that Shiesty and his co-conspirators drew guns and barricaded Mane’s team inside the recording studio while they forced Mane to sign the release. The group is accused of stealing jewelry, Rolex watches and cash during the alleged altercation.

Shiesty’s trial was originally set for July, before being pushed back to Feb. 22, 2027. The Memphis rapper remains in custody.

In the wake of Clive Davis‘ passing, much has been written by others about the music executive’s accomplishments — but Davis also recently discussed those accomplishments in his own words. Only a few months before his death, the industry legend sat down for a Zoom interview with a former executive who worked for him, in which he reflected on his long career.

Rick Bleiweiss — a former senior vp of sales for Arista Records and, before that, Island Records, who also served as a senior vp of marketing and field operations for Arista’s distributor, BMG Distribution — interviewed Davis in December. The interview is wide-ranging, covering his early career as a corporate lawyer and later transition to general counsel for Columbia Records before becoming president of that label in 1965.

From there, the interview covered some of his biggest signings and his dealings with the likes of Janis Joplin, Chicago, Bruce Springsteen and Santana.

Bleiweiss — who has since become an executive in the book publishing industry as well as a mystery author, with three books in the Pidnon Scorpion series, among other writings — also got Davis to talk in depth about his termination from Arista by executives from the label’s parent, BMG, and, even more revealingly, about his subsequent business demands in starting up J Records. Davis’ versions of those stories are even more detailed than last week’s memorial column on him by another former Davis executive, Charles Goldstuck. (Davis was also interviewed by his son, Fred Davis, in May at the Amplify Music Investment Summit.)

To watch the full almost 60-minute interview, follow this link, provided to Billboard by Bleiweiss.

Tencent Music, Billboard China and Billboard Korea have officially announced the winners of the inaugural cross-market fan voting initiative recognizing standout K-pop artists across four categories.

Based on the combined results from both the China and Korea voting channels, the final winners are:

Boy Group: SEVENTEEN 《THUNDER》

Girl Group: i-dle 《나는 아픈 건 딱 질색이니까 (Fate)》

Male Solo: THE8 《Cold Love》

Female Solo: NINGNING 《Ketchup And Lemonade (NINGNING Solo)》

The project combines editorial curation with fan participation. Nominees were selected based on their performance on the Tencent Music Korean Chart alongside recommendations from Billboard Korea‘s editorial team, with final results determined through fan voting. The awards recognize artists who demonstrated both strong chart performance and broad fan support.

The campaign featured four categories — Boy Group, Girl Group, Male Solo and Female Solo — highlighting both group and solo artists across the K-pop landscape.

In the Tencent Music Chart and Billboard China voting channel, EXO topped the Boy Group category with “Crown,” while i-dle’s “Fate” led the Girl Group category. THE8 earned the top spot in Male Solo with “Cold Love,” and NINGNING topped the Female Solo category with “Ketchup And Lemonade (NINGNING Solo).”

The final winners were determined by combining results from the China and Korea voting channels. Voting in both markets produced the same winners in the Male Solo and Female Solo categories. In the Korea voting channel, BTS’ “Body to Body” topped the Boy Group category, while BLACKPINK’s “JUMP” led the Girl Group vote.

The combined results highlight both the strong alignment in audience tastes across markets and the subtle differences in fan preferences, offering an interesting snapshot of how music resonates with listeners in different regions.

The inaugural cross-market initiative marks a new collaboration between Billboard China, Billboard Korea and Tencent Music, bringing together chart performance, editorial curation and fan participation in a cross-market initiative. The project also reflects a broader effort to explore new ways of connecting music fans across different markets through Billboard’s global network.

BRISBANE, Australia — Harvey Lister, president and CEO for the Asia Pacific and Middle East region, is calling time on a career in live entertainment that clocks in at more than a half century.

Lister will continue to support the company over the next 12 months in a senior advisor role, according to a statement issued this week by Legends Global, a role that sees him support the transition of the business and focus on several “major pipeline projects.”

With his decision, Lister frees up precious time to dedicate to his wife Margie, who has been battling Parkinson’s disease. Lister’s official departure date is June 30, 2027.

“The APAC region is performing strongly, delivering some of our best financial and operational results we’ve ever achieved which reflects what we are seeing right across the Legends Global group,” explains Lister in a corporate release. “It’s a good time to transition out of the business when it is at the absolute top, with a strong pipeline of projects into the future. I’m looking forward to assisting the transition of the business into safe hands with Peter Loxton and our long-term leadership team.”

At the same time, long-serving APAC/MENA COO Peter Loxton leads the region, effective July 1, reporting to Legends Global CEO, Dan Levy. Meanwhile, Paul Sergeant continues to lead the group’s activities across the Middle East and Asian regions as executive VP.

“I am honoured to be leading Legends Global (APAC) from today,” writes Loxton in a LinkedIn post. “Harvey didn’t hire me, he took a chance and backed me into a joint venture in 2011, we won a project and when that finished, offered me a job. Since then we, and the APAC team, have grown the business, faced many challenges and made a difference. My best wishes to Harvey and his family and I look forward to his guidance into the bright future ahead.”

Lister has been saluted on several occasions in recognition of his service to the arts, tourism, sport and to the venue management and events industries. One of the finest came five years ago, when Lister was appointed a Member of the Order of Australia (AM) in the Queen’s 2021 Birthday Honours list. Just last year, he was inducted into the Queensland Business Leaders Hall of Fame.

From its regional headquarters in Brisbane, Australia, Legends Global books, operates and manages a
network of venues that includes Suncorp Stadium, Brisbane; Kai Tak Sports Park Main Stadium, Hong Kong; and 50% ownership of VenuesLive, the operator of Optus Stadium, Perth, plus arenas, theaters and convention centers across the region.

Lister cut his teeth as a store announcer at retailer Myer before a pivot into PR for two shopping centers. During a stint with 4IP radio, he created the Queensland Rock Music Awards. Then, in 1975, Lister launched a concert and event management business, working closely with promoters to tour live bands such as Sherbet, Skyhooks and AC/DC’s first ever tour.  

Years later, and after a series of mergers, Lister secured management for Newcastle Entertainment Centre, Cairns Convention Centre, Sydney’s Olympic Stadium (now known as Accor Stadium), a network of cultural centers and live theaters in Perth, Brisbane’s 52,000 seat Suncorp Stadium and the Darwin Convention Centre. 

Lister was a key figure in the 2019 merger of AEG Facilities and SMG, two of the world’s leading venue management and services companies, in a “game changer” deal for the live industry, he remarked at that time.

“Harvey is a ‘once in a generation’ visionary, and I was lucky enough to meet him in the early days of commercial radio in Brisbane in the early 1970s,” explains decades-long business partner Rod Pilbeam. “We shared a joint love of live entertainment and since then an amazing career, business, and lifelong friendship.”

Legends Global CEO Levy hailed Lister “for his outstanding leadership and contribution to the industry globally. “

As many can attest, he continues, “Harvey is never short on stories and he is held in the highest regard around the world in the live entertainment industry. Through hard work, commercial acumen, and sheer determination, he has created countless opportunities for artists, promoters, major government and venue owners, and business partners throughout his incredible 50-year journey.

“One of Harvey’s greatest legacies is a strong team of capable leaders and the successful business he has built across APAC and MENA. I look forward to developing that further with Peter Loxton and his leaders.”